A Lament for Liberal Party Leadership

-Or lack thereof.

This song is based on a somewhat earlier song, “The Nonsense Song”, written at the height of Tony Abbott’s “leadership” of Australia.  This current song only has 3 verses, dealing with the 3 most recent Prime Ministers.

Sheet Music
Sheet Music (Cropped)
Scroll down for the sheet music, with performance notes in .jpg format.

Practice Tracks
Practice Suggestion: Practice your part, singing all the choruses of the song, with the practice track for your part.  Then practice your part against the “All Parts” track.

Chorus: All Parts, Sung

 

Chorus: Melody, Sopranos and Altos

 

Chorus: Tenors

 

Chorus: Bass

 

Verse and Chorus: Instrumental, Melody

Notes on versions of this song.

Love and Justice: A Song

An adaptation of “Love and Justice”, a women’s anthem by independent musician and ARIA award winner Kavisha  Mazzella. The Illawarra Union Singers thank Kavisha for her permission to perform the song, adapting it for a small mixed voice choir.

Sheet Music

The Original Sheet Music

Lyrics

The files below are adapted from this original music. If using the lyric sheet above, the following arrangement skips the “ah” chorus, and abbreviates the fanfare.

Adapted Sheet Music 1.9 

If you have a previous copy of the adapted sheet music or practice tracks this file documents, in part at least, changes made.

Practice Tracks

These practice tracks work closely with the adapted sheet music. The exact phrasing of the words in verses 2 and 3 may not be identical to what needs to be sung. They are all about 20% slower than the performance tempo. Good preparation might include practising your own part, and then, when confident, practice with the “All Parts” track. Click here for instructions on how to download these practice tracks.

Soprano With Click Track

 

Soprano Without Click Track

 

Alto With Click Track

 

Tenor With Click Track

 

Tenor Without Click Track

 

Bass With Click Track

 

Bass Without Click Track

 

All Parts

 

And as a reference point:

The Original Recording

And, (inspiring, but somewhat daunting), from YouTube,
The Original Amazing Performance

 

Which Side Are You On?

Arrangement 1

Arrangement 2

Arrangement 3
(Altos, See 3.2)

This seminal song was written by Florence Reece in 1931, in Harlan County, Kentucky.  These 2 arrangements for  a mixed voice choir, the Illawarra Union Singers, by Doug McPherson.

“In 1931, the miners and the mine owners of that region were locked in a bitter and violent struggle (called the Harlan County War). In an attempt to intimidate the Reece family, Sheriff J. H. Blair and his men (hired by the mining company) illegally entered their family home in search of Sam Reece. Sam had been warned in advance and escaped, but Florence and their children were terrorized in his place. That night, after the men had gone, Florence wrote the lyrics to “Which Side Are You On?” on a calendar that hung in the kitchen of her home.”
Wikipedia

Many  different performances of this song can be found.  These arrangements are based on a recording made by Florence Reece later in life, recorded live in a broadcast studio, and later released on the album, “Coal Mining Women”.  The 2 arrangements presented here use Florence’s words and mostly her melody line, but open with the chorus, and repeat the chorus throughout.  Neither the sheet music nor the practice tracks reflect the rhythm changes needed for the words in different verses, particularly in verses 5 and 6.  The arrangements are further informed by the Almanac Singers rendition of the song in 1941. Neither the sheet music nor the practice tracks reflect the rhythm changes needed for the words in different verses, particularly in verses 5 and 6.

Scroll Down, or Click Here for Arrangement 2, Melody, Alto, Tenor and Bass


Arrangement 1

Melody, Tenor and Bass: Altos could sing the bass part, an octave up in the verse.

Sheet Music: .pdf Format
Practice Tracks:

In each of these tracks the targeted voice uses a piano sound.

Melody

 

Tenor

 

Bass

 

Harmonically, this arrangement is notated in Dm, but the melody is essentially pentatonic, and could also be considered to be in the (modern) Dorian mode of the C scale; the 6th note and 3rd notes are omitted in the melody.


Arrangement 2

This arrangement is for Melody, (Soprano and/or Tenor), Alto, Tenor and Bass. The chorus is in unison, except for a tenor harmony. In the verses, the Melody and Tenor lines are in unison, with a harmony part written for Alto voice, and a Bass line.

Sheet Music: .pdf Format
Practice Tracks

The melody and bass tracks are the same as in arrangement 1. The alto track is new, and the tenor track dispenses with harmony in the verse and reverts to the melody.  The target voice uses a piano in each track, except the Alto which uses an oboe sound.  The All Parts track is an experiment, and uses the sounds of a wind quartet: flute, oboe, clarinet and basoon.

Melody

Alto

Tenor

Bass

All Parts


Arrangement 3

The only difference between versions 2.1 and 3, are the tenor line in the chorus and chords in the chorus, bars 3 and 7.  The practice tracks use the piano in the target voice. The all parts track uses a wind quartet.

Sheet Music .pdf Format
Practice Tracks

Practice your own part, and then try singing this with the “All Parts” track.

Melody

Alto

Tenor

Bass

All Parts


Arrangement 3.2

The only difference here is a simplified Alto line in the verse, mirroring the melody except for the first and last bar.

Sheet Music .pdf Format

Alto Practice Track


Notes on Recent Versions of This Arrangement

Source Recordings

Florence Reece

Here is a recording of Florence Reece, with the pitch altered to Dm, the same key as the arrangement above.

The Almanac Singers

Lament for Manus Island

Image Source: https://thenewdaily.com.au

Click here, for the arrangement in parts:

This is a song I felt compelled to write in October 2017, aghast at Australia’s treatment of asylum seekers. The second verse of our national anthem has the lines,
“For those who’ve come across the seas,
We’ve boundless plains to share;”.

We should be more compassionate.

Here is a recording of the song. It’s far from a professional recording, but just something I put together in my kitchen.

Sheet Music

Lament for Manus Island 2ii

And finally, here is the song with a slideshow, uploaded to Youtube.

It’s Getting Really Hard to Sing Advance Australia Fair -Simpler Version

An older more complex arrangement of this can be found by clicking here.

The version below, 1.3, has the alto voices doubling the bass part, except for the ends of lines 4 and 5.  There is no tenor line, but there are descant notes in the melody line for the cadences, again at the ends of lines 4 and 5. These could be sung by a tenor and/or a soprano.

This   song is Keith Binns’ 2014 rewrite of the lyrics to Advance Australia Fair; a commentary on the xenophobia inherent in our current policy on asylum seekers arriving by boat.

Sheet Music

Key of Bb

SATB (Scanned “Original” Music)

Score

Melody

Key of G: For Guitarist. Capo 3rd Fret for Bb

Score

Melody

Practice Tracks

All Parts

 

Melody, (With Descant Cadences)

 

Join Your Union: Simplified

Simplified Arrangement

Click here for a more complex arrangement.

The resources below are for an arrangement of John Warner’s song, with the Alto line the same as the Bass, except for the end of each phrase. The basses of course sing an octave lower. The tenor line is identical to the melody, except for a phrase at the end of the 1st line, and a phrase in the chorus.

Practice Tracks
Instructions on downloading practice tracks.

Melody: Sung

 

Tenor: Sung (V2)

 

Alto: Sung

 

Bass: Sung

 

Alto: Instrumental

 

Bass Instrumental

Sheet Music

(Click on titles to download)

Score
Score (Cropped)

Melody Sheet Music
Portrait (pdf)
Landscape (pdf)

Simplified Tenor Sheet Music
Cropped

Simplified Alto and Bass Sheet Music
Portrait (pdf)
Landscape: Larger, Easier to Read (pdf)

Simplified Alto & Bass Sheet Music: Bass Clef
Simplified Alto & Bass Sheet Music: Bass Clef (Cropped)

Notes on versions of this arrangement.

Singing Exercise: Octave Glissandi For Altos

This is an exercise in seamlessly changing registers, moving from one part of the voice to another. The aim should be a smooth sound sliding from one note to another, and back again. The exercise is probably easier to sing than to read about, so feel free to jump in, play the sound file and sing along. DON’T FORGET THE IMPORTANCE OF BREATH SUPPORT!

The first exercise is written for  altos. This exercise starts with a slide from the F below middle C, to the F above middle C. It then moves up chromatically, by semitone, finishing with a slide from middle C to C above middle C.  This range starts at the bottom of the alto range, as defined by the New Harvard Dictionary of Music, and finishes a tone below the top of the Alto Range

Octave Slurs for Altos 1

Octave Slurs for Altos 1 Sheet Music: .pdf

Walk On

This is an arrangement of a song by ‘Dogmatic Music’, From  ‘Walk On’ Kit – Reconciliation Week, Sorry Day. The educational resource, to commemorate Sorry Day or Reconciliation Week, designed for schools can be purchased and downloaded here.
You can hear their excellent rendition of the song here.
You can find out more about Dogmatic Music and band members Paul McGee, Neil McCann, John Littrich and Sarah McCann here.

You can find out about John Littrich’s amazing folk band, the Water Runners here.

Many thanks to John Littrich for allowing the Illawarra Union Singers to use this song.

Sheet Music

This sheet music, arranged in 3 parts is adapted from the original Dogmatic sheet music.  In a mixed voice choir, the main melody marked alto in the score could be sung by altos and/or baritone voices. The line marked S for soprano, could be sung by sopranos and/or tenor voices. The bass line should be sung by basses.
Score, (All Parts)

Soprano (Upper Voices) (with piano fingering)

Alto (Main Melody, Middle Voices)

Bass

Practice Tracks

Good practice is to sing the part you are learning on its own, and then test your learning by singing it against the “All Parts” track.  These practice tracks contain a “click” track, to signal the tempo, and tempo changes in the coda.

Soprano (Upper Voices)

Alto (Main Melody, Middle Voices)

Bass

All Parts

The next practice tracks contain vocals, but no click track. They are only practice tracks, not recordings of performance quality.

Soprano (Upper Voices): Vocals

Alto (Main Melody, Middle Voices): Vocals (Sung with Baritone Voice)

Alto (Main Melody, Middle Voices): Vocals (Sung with “Alto” Voice)

 

 

Ballad of 1891

This is a song about the 1891 Australian shearers’ strike.  The song has been arranged in three parts:
Words: Helen Palmer; Music: Doreen Jacobs; ©1950 Doreen Bridges

Sheet Music
Here is the definitive score, I’ve worked from, sourced from the Sydney Trade Union Choir, (STUC) in Cm.
Sydney Trade Union Choir Score (.pdf)

From this I transcribed individual parts.  Lyrics to be sung in unison, (or by male singers only), are in bold italics. Some numbered piano fingerings are included, along with guitar chords in the melody part. These are all .pdf files.
Melody/Soprano 
Alto
Baritone
I’ve also created a lead sheet, with just the melody line, transposed to Am. To get to Cm, use a capo on the 3rd fret..
Melody/Soprano Am

Lyrics
Lyrics (Word Document)
Lyrics (.pdf)

Practice Tracks (Instrumental)
Soprano/Melody

Alto

Baritone

All Parts

If aiming for the Sydney Trade Union Choir arrangement, perhaps the best thing to listen to is their stunning performance:

STUC Performance

Also, have a listen to two different Bushwacker’s Band performances.

 

Power In A Union

Here is an arrangement of Billy Bragg’s veritable anthem, “Power In A Union”, based on the American Civil War song, “The Battle Cry of Freedom”, which was written by the wonderfully named George F. Root. This arrangement by Christine Evans, with annotations including chords and the appropriate entry point for the bass voices. Aside from these annotations neither any of the arrangement, nor any of the practice tracks are my work.

Sheet Music (.pdf)

Practice Tracks

Soprano

Alto

Tenor

Bass

It’s worth having a listen to Billy Bragg in full voice and flight!

Finally here is the score in picture, .jpg, format.